This brief article is the most accidental and one of the most important I have yet penned.
Evan and I recently received some archival records of immense
importance, relating to studies, sites and conclusions that Frederic
Slater (President of the Australian Archaeological Society of
Australia), along with a bevy of well connected associates, shared
openly in the public arena in 1937. According to the archives, this
group of scholars were adamant that some (then) recently discovered rock
engravings were of Egyptian inspiration, and made reference to a rock
platform near the
Cave of the Golden Boomerang we ourselves had previously stood upon – and came to the same conclusion.
Evan searched online for further details of that particular site, and
there amongst a Newcastle University discussion about this location and
its archaeology, was a photograph. The figure it depicted was a rather
unusual semi-embryonic foetus, and much to our surprise – and delight –
it was claimed that this icon represented the Pleiades.
The Pleiades Embryo
Our reaction was instant. We both immediately recognised the symbol,
where it was found, and how dramatically the traveller’s narrative of
the Cave of the Golden Boomerang had been extended — into the heavens
and beyond. Knowing how sacred this cave was, detailing the beginning of
modern humans, we had previously known of the general details, but none
of the specifics. This changed everything.
Initially
taken by the precision of the artist and the impressive array of huge
human figures, we saw the small figure to the right of the ‘standing
woman’ and took it to be, with some hesitation, a new borne child. But
that explanation sat uneasily, because every other human figure here is
representational and proportional to the true human figure. By
comparison, the ‘baby’ appears so odd and distorted and only vaguely
resembles an infant. It is neither being held nor cared for by the
closest female, rather it is seated beside the woman’s shin but is not
touching nor dependent on her. There is also no crib or traditional
coolaman dish depicted.
Deliberately apart from the others, this embryonic figure is the
first engraving in the gallery. The most prominent and tallest figure is
the female, and until we were made aware of the constellation marker,
we had assumed the narrative began with her. But the three human-like
figures and the sacred Golden Boomerang come after, not before, the
constellation marker. The narrative of creation doesn’t begin with her,
it begins at the Pleiades.
We were already aware that this gallery itemizes the agents involved
in the creation of modern humans, but we never had such a firm
archaeological foundation upon which to base our belief in an off-world
involvement, until now. Knowing that it represents the Pleiades, that
tiny icon adds so much to this ancient Original record of humanity’s
genesis; it provides an introduction, a place of setting and a genetic
backdrop. As far as we are concerned, this is the most convincing
evidence of an ancient Pleiadian ancestry on this continent we have
seen.
A Light That Shines Far Off
The only question unsolved relates to whether the woman depicted was
from the Pleiades. The placement of the Pleiades signature beside her
left shin, with her right hand extended and touching another woman who
could be seen as floating in space (perhaps in transit to Earth)
certainly adds weight to that interpretation.
The second floating woman reaches forward and touches a male who is
standing on solid ground near the sacred boomerang. We were never told
whether or not that male actually touched, or was reaching towards the
holy object – that part of the narrative we could not determine even
when standing on site.
But for now there is at least one certainty: at the very beginning of
humanity’s creation, beings from the Pleiades stood beside the very
first humans. At least 5,000 years ago, this magnificent piece of
representational art was created in a way that could never be claimed to
be cryptic or symbolic; this was not abstract art, and there were meant
to be no questions. It is a narrative of creation, and it began in the
Pleiades. That is what was engraved. From that starting point, the
details are still open for consideration.
This fortuitous discovery is the final nail in the coffin of any who
deny a Pleiadian presence in ancient times in Australia. Granted, we had
already seen 8 UFO-like engravings at Bambara and a 2 x 4 metre pecked
“Star Fish” nearby…. we have in our possession the metal and crystal
objects found in the area…. we know Frederic Slater’s translation of the
First Language emphasises that the Creation Beings “came to Earth” from
“a light that shines far off”…. and above and beyond these truths is
the
Original truth: the Original Dreaming story “The Seven
Sisters” is the only ancient narrative that is universally known to all
Original tribes, transcending all tribal, language and geographic
boundaries. But nothing silences naysayers like solid archaeology. And
this is solid archaeology.
The ancient Original custodians have engraved lines in the rock that
start with the distant Pleiades constellation, and culminates in the
beginning of humanity. The reason this was done is simple; our story
here began a long way out there. That was their eternal truth and
remains our collective ancestry.
For more information, check out my previous article “
Does The Cave of The Golden Boomerang Contain Profound and Ancient Pre-Historic Rock Engravings?“
Link:
http://www.shiftfrequency.com/steven-strong-aboriginal-pleiades-embryo-carving-reveals-origin-of-human-creation/
